青春期by戴乐艾昱_青春期全文

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As a comedy about contemporary American society it feels weirdly anachronistic, with an uninspired story told with little urgency or novelty.《青春期by戴乐艾昱》'Not only an intelligent throwback to the feel-bad shock cinema of the 1970s, Joker is all but unique in its social realism...

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青春期by戴乐艾昱趙文瑄處女作這個程度，讓人驚嘆獲救或創傷治療的故事本身俗套，傑出之處是對那個孩子經驗的世界的展示，我們都曾獨有那個先驗的經驗主義的特異時空，卻最終被這個符號的單壹世界取代，有人溫柔告別有人沒有告別有人甚至忘了它的存在。問題不在於world解放了room，而是我們應該將room擴展至world，如果這真的是德勒茲的世紀。

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明明劇作裏有那麽多好的元素，偏偏寫了最糖水的壹種。如何不上當？不是正直，是三個字：用！真！心！宏大又空洞，前衛又土氣男女主角共同編劇，女主角導演，真是充分的“作者電影”。影片很復古（旁白，插曲之類），比較有新意的是角度（詳寫的都是類似影片所忽略的東西）。偶爾還有些幽默感。不過這兩個演員都像是從歐容片子裏走出來的（然而他們都木有跟歐容合作過……）夢工廠會講故事了...非常歡樂,自認比唐伯虎點秋香好看!!

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青春期by戴乐艾昱：A. 如果不是看到iPhone，完全會以為這是壹部八十年代的片子。說是故事，其實更像是對瞬時情態的展現與感知，而不論是劇本的語調還是卡司的表演，都精準地抓住了悲喜之間的微妙細節。色彩搭配和膠片質感讓人想起侯麥，但更重要的，是它也以那種看似毫不費力的松弛姿態，捕捉到了生命流動的韻律：有些人逐漸遠去，有些人失而復得，生活就像水波，自有迎來送往的起伏節奏，我們只是在其中保持著我們的平衡。2022.5.20 Croisette青春期全文香港缺心眼兒喜劇之最，看100次笑100次～