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Thankfully, all flimsiness in the screenplay is overcome by the director, Gina Prince-Bythewood, and her committed cast, who transform a familiar dramatic milieu (Mulan meets Gladiator meets Wonder Woman) into thrilling, amphetamine-rush cinema.《《法外之地》by花卷》'Like a big-budget porn film with dramatically thinned out narrative and character development, a bunch of unambiguously abusive "foreplay" added in, and all of the hardcore elements taken out.

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《法外之地》by花卷作為導演，李安在《喜宴》中的表現還略嫌稚嫩，電影中粗糙的細節比比皆是，遠不及《臥虎藏龍》之後的精雕細琢；但從內容與情節上來說，這部我感覺卻是李安最精品的幾部電影之壹：放了很多心血心思上去啊，對文化差異的刻畫準確犀利而生動活潑。這部電影李安作為編劇比作為導演更成功。九十分鐘能講完的事演了三小時，反轉安排了很多但都很無聊，加上最後的全體背書。。。

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永遠的銀幕經典.再說了,亂世佳人是我最愛看的書.菜埔對著小叔吞吞吐吐屢次被打斷那壹段最悲傷。那壹瞬間希望有人聽他說話，哪怕壹秒。誇的人都在詐騙嗎，爛，根本看不下去雖然也好看，但先看過了《正義回廊》，總覺得這部缺了點什麽。看不懂【東邪西毒】的時候就看【東成西就】。笨拙的浪漫，偷錢壹段開始變得有些狗血過頭。湊了壹桌青澀版松田龍平X阪口健太郎X蒼井優演bl也算功德壹件？（詩音、珠理，兩個男演員的名字都好女性化，要不要考慮加入壹下Free泳社？）

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《法外之地》by花卷：TIFF2022｜觀影23｜挺喜歡整部電影的氣氛設定，宗教背景，戰爭環境，孤島的舞臺，壹首悲歌。提出問題，再質疑問題本身。兩個人誰更蠢，音樂就可以永恒嗎？永恒重要嗎？還是對人友善更重要？友善又是不是另壹種謊言呢？警察兒子的意外，驢子的意外，只有姐姐的離開是有意為之，坐在灰燼中的寡婦，鬼魅壹樣的存在。法外之地by花卷txt臺灣跟大陸假結婚，其實在跟美國搞同性戀