戏里戏外小说by苏玛丽_东哥苏玛丽小说戏里戏外

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...is a strong, yet quiet documentary clearly made with a passionate interest in Jean Rollin and his films. The tone of the documentary and its mood feel perfect for the subject and mix well with the scenes and sequences from his films.《戏里戏外小说by苏玛丽》'Its merely stating what everyone has already observed for the past two years, and delivering it with a shit-eating grin.

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D.戏里戏外by苏玛丽在哪里看

戏里戏外小说by苏玛丽視效頂級，劇情piece of shit。邏輯bug就不說了，所謂的“關於家庭”be like:難溝通但具有絕對話語權的陽剛父親與愛惹麻煩的叛逆男寶矛盾頗多，父親甚至規定男寶跟他交流只能說yes sir；容易情緒激動但講話沒有人在聽的母親，看起來跟家人不熟，但與另壹部落首領妻子初見時立馬暗暗較勁。經過種種，男寶與父親得到了成長，生死之際，男寶救出父親，父親說出“I see you”，兩人深情對望，沈浸在父慈子孝的幸福中，同時膽怯的養女化身神女/聖母，救出了被遺忘的母親。大家聚到父親身邊，聽這位家庭的主人說：“家人是我們的軟肋，也是我們的鎧甲。”最近看多了2020s的東西，今天看這部冷不防被老白男熏到了。在壹個想象出來的外星社會依然父權文化深種，角色男女分明，老爹們真是土得嚇人🆘Le paradoxe français

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我們什麽時候才能不在片尾打上字幕結局誇的人都在詐騙嗎，爛，根本看不下去+，很好。是純個人偏好的那種類型//話題要跳躍得聰明 距離要曖昧而輕盈//道德之外的肉體和精神交流 兩個中年人或者說是漸進成熟的人默契地玩著某種成年人才能玩的遊戲 仿佛鏡頭的推拉搖移 常常控制在恰當的玩味範圍 從不出現的妻子也在壹定程度上規避了故事的道德審判//藝術博物館太適合男男女女迸發壹些莫名的新鮮關系了 雖然她們在不斷說話但我總以為鏡頭會漸漸推遠讓她們跑起來//仿佛是壹系列法國新浪潮電影的余韻 並且明顯更偏向侯麥 稍許比侯麥更像林特萊特 也有幾個微妙的洪尚秀時刻 這幾個導演排列在壹起也明顯是壹脈相承的趣味//今天也感謝上帝創造了法國人王黨鞭不要看什麽星星了，看這個去吧讓妳樂翻天的鬧劇

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戏里戏外小说by苏玛丽：雖然真的是老生常談，但真正優秀的文化作品還是大概率孕育在自由的土地上。东哥苏玛丽小说戏里戏外最後那壹抹笑容堪稱經典。