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對吳啟華演的壞人印象深刻……在Neo要選擇是救女朋友還是全人類的時候，我竟然想到陀思妥耶夫斯基的「愛具體的人」，當然是要救具體的人啦。而最後他成功救下她，我想到加繆說的，荒謬當道，愛拯救之。現在在看看16年前的周星馳片，經典到典故多得嚇人真是很不錯的片子，這個世界就是這樣。無法埋怨任何壹個人。這樣的parody電影，如今已經不可得.......梁家輝叫人吐血那場唱段戲，竟是眾人樂得不支之下張哥哥壹手編詞、導演的，10幾年後我才知情......12th北影節No.15。上有老下有小的巴黎“中年危機”==父親衰老與愛情煩惱雙線並行，就像她在做同聲傳譯時壹樣需要同時處理多線程任務，稍有意外便疲憊慌亂。做翻譯，本是建立溝通、橋梁，但她長久地身處小黑屋中，周遭籠著若隱若現的障壁。色調壹點點像侯麥，但內容太薄，臺詞口水，沒太把觀眾放在眼裏。靈魂還留在圖書館裏的父親去了養老院漸漸枯萎，生長痛，衰老也痛。但口中念著萊拉的父親比草草happy ending的主角更讓人為愛動容。聖誕夜壹幕好愛，超感動。

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