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這個IP維護得很好任何熱愛以（視覺和文本雙重意義上的）“奇觀”來制造所謂“戲劇性”的作者都應該來學習壹下，怎樣用影像的表現力去達成敘事層面的起承轉合、人物情緒的跌宕起伏，言語的文本被消融到鏡頭訴諸的意義（以惠子與他人互動的幾個橋段就勾勒出所處的環境和人物基本信息/性格），日常的靜水流深被拍得余韻十足。從開場的練拳節奏即敲出本片獨有的節奏——蓬勃而沈靜，寂寥卻有力，電車駛過的市井隆隆聲，是無法直接溝通或傾聽的人類孤獨之聲，然而也蘊含了每個清早醒來渴望為自己尋到努力奔跑的強勁脈搏律動，人物和影片本身獲得了壹致的節奏；在與惠子共同凝視的靜謐中，我們看到更遼闊的世界。喜歡暮色街頭的背影，拍糊的比賽照片，結尾逆光中的仰拍，以及拒絕來之不易的下壹家拳館機會。那麽早期的電影居然到現在也看不出瑕疵，太崇拜那個導演了。宏大又空洞，前衛又土氣怎麽這麽drama，反轉反轉再反轉，最後反殺全場鼓掌編劇是用chatGPT寫的劇本是吧…

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新聊斋之僵尸新娘：可以忽略秋香……新聊斋之僵尸新娘免费完整版很老派的film noir. "Everybody is drunk since the inception of this country. I've never seen anyone driving sober."