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While the screenplay doesnt do enough justice to the vigour and indignation of D H Lawrences classic novel, the generous lead performances and the beautiful aesthetic definitely do《金蝶在线登录入口》'Younger viewers will receive a worthy, accessible lesson in the eras dreadful legacy, though older audiences may sometimes find its approach - and a few of the performances - a tad on-the-nose.

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金蝶在线登录入口王家衛看了會沈默，梅林茂看了會流淚。寥寥數天將當下歐洲各方矛盾交織的死結剖析得鞭辟入裏，確實厲害誰先感到了寂寞，誰就輸了。

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真人真事改編，可惜拍得流於表面了，完全沒有被打動到。頂著鍋蓋說壹句：小男孩演得其實比媽媽好...（第壹次看女人在電影裏素顏這麽久）#72ndBerlinaleEncounters 平緩的、輕盈的、孤獨的，故事發生在當下，又像很久以前。導演之前就喜歡這種夢幻的朦朧感，同樣畸形的臉譜元素，裏面很多情節都是Possessor(2020)的升級版。這次設定是個架空的地方，除了眾多視覺汙染的畫面，故事本身有些簡單，其實把那些五彩的濾鏡去掉，反倒顯得更加沈淪和變態。米婭高斯表演出了那種鄉村粗俗的惡，最後安撫的場景，直接變態封神，如同戲耍玩物壹樣，隨心所欲！我覺得今年其他的動畫片可以不要演了這部評分那麽高感覺就說明現在戛納已經沒什麽正常片子了，大家都在平行單元找安慰。雖然看不太懂，但片中張國榮實在太讓人著迷了~~

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