77天无人区_77天无人区观后感

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Despite plenty of brilliantly understated tension from realistic scenarios and excellent acting, the pacing routinely trudges.《77天无人区》'The Situationists and the Sex Pistols may have had nothing good to say about cheap holidays in other people’s misery, but Wells finds a wealth of beauty and heartache in this one.

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77天无人区作為導演，李安在《喜宴》中的表現還略嫌稚嫩，電影中粗糙的細節比比皆是，遠不及《臥虎藏龍》之後的精雕細琢；但從內容與情節上來說，這部我感覺卻是李安最精品的幾部電影之壹：放了很多心血心思上去啊，對文化差異的刻畫準確犀利而生動活潑。這部電影李安作為編劇比作為導演更成功。年老的阿爾·帕西諾，並沒有失去力量，而是更魅惑動人。

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演員們演技都沒啥問題，就是純粹劇情不給力年老的阿爾·帕西諾，並沒有失去力量，而是更魅惑動人。緊張的氣氛營造得真棒！！！男主小嗝嗝和沒牙龍龍都超級可愛！*^o^*很溫情成長的故事，畫面也很精彩。深夜，雨巷，慢鏡頭；曖昧，寡歡，語還休。與君淡如水，千杯亦不醉。- 我哼 - 我也哼 我要笑瘋了

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77天无人区：看了20遍都不厭倦~~~77天无人区观后感表演太棒了，尤其前面的漫長鋪墊。進入主節奏後在情緒的推動下庭審細節有點粗糙，個人英雄主義的渲染過分濃烈。作品在社會意義面前還是急躁了，但不妨礙它成為壹部裏程碑式的作品，由此來觀察韓國社會及電影業二十年的飛速發展。