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“Sick” not only factors in our still-evolving COVID-era rules, but also serves as an amusing time capsule for the collective fears that have seized us these past three years.《错位关系by东哥》'Educational, profoundly scary and an experience that delights in taking unexpected routes, this film is one of those debut features that makes you want to keep track of everything a director does from here on out.

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错位关系by东哥無語的媽給無語開門的程度！壹星都不想給😅這部電影讓我真切感受到，壹個導演是怎麽調動他自己所能調動的壹切審美、記憶乃至是生命能量，掏心掏肺地、十分刻苦地以電影化的技巧去記錄和訴說“我城”的歷史和故事。這是屬於翁子光的“香港往事”，更是壹顆彌足珍貴的時光膠囊。

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影節專供新聞特稿，假裝給民粹、新自由、多元文化各打五十大板，實則失卻真實生活情境的張力。壹如僵死的十八分鐘長鏡頭，人人得靠“嘴”來為電影作爭辯。所以，這是什麽片？對保羅·麥斯卡的印象還停留在《正常人》，結果這就喜當爹了。像兄妹般的奇妙父女關系，女兒就像在追趕著父親的腳步走進成人世界。看似無憂無慮的假期，只有在多年後從DV和回憶中才驚覺日光下的影。很難相信這是新人導演的處女作，去戲劇化的敘事和時空交匯的手法不明覺厲。電影打滿了私人印記，可惜我無從求證...那麽早期的電影居然到現在也看不出瑕疵，太崇拜那個導演了。我的膀胱裏積滿了從劇本中擰出來的水每次在鏡子面前跳舞的時候，我都覺得自己是張國榮

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错位关系by东哥：現在還有這種恐怖片看，我覺得挺好的，知足！错位关系东哥笔趣阁哇哇哇好看 那龍的原型絕對是壹貓