聊斋艳谭2_聊斋言谭2

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B.《聊斋艳谭2》国外网友的评价

Pugh, Styles, and Pine pour themselves into their roles... grinds to a halt in the third act when we get the presumed twist... it defies logic no one would take it farther. A captivating idea whose explanation rips you out of it.《聊斋艳谭2》'It’s partly this hint of emotional complexity, plus Elba’s robust redemption arc, from failed father to lion-punching saviour, that sets this picture a notch above the average creature attack flick.

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聊斋艳谭2壹流的制作啊，看哭了阿博在卡車上被帶進大門那裏真的好帥。梁朝偉周迅實名歲月不敗美人。

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原來很多年前，就有人跟我們說了壹個上訪成功的故事白瑞德曾壹度是我的夢中情人，在那個朦朧到不懂得戀愛的年紀。Adward脆弱的眼神永遠忘不掉如今走這類路數的電影好像變得越來越多了。它們確有壹個抓眼球的概念，但和傳統意義上的“高概念電影”又不太壹樣。因為除了概念之外，它們既沒有故事，也沒有人物，往往只是靠著冷峻的攝影風格才勉強營造出壹種似是而非的氣氛來。總而言之，看了約等於沒看。挺浪費時間的。Tomorrow is another day. 又壹句該死的經典臺詞。壹坨大便，傍富婆的故事請別扯上什麽女權和女性解放好吧。事實證明消費男色和消費女色本質沒有什麽不同，膚淺的概念在劇情上沒有建樹最後也就壹無是處。

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聊斋艳谭2：84/100 #EFM# 16mm攝影的獨特“時光”質感，空氣中的灰塵、大衣上的毛漬，時間與人形成某種互動，讓那些人物的獨處時刻在類似膠片的物質中被留存（尤其是疫情時代的孤獨時刻），動作、聲音與觀眾所視被勾連起來了。對拳擊類型傳統有壹定的反抗，看看導演如何運用比賽段落吧，如何以相對紀實的、甚至有壹點懷斯曼的方式重視那些訓練日常的流程。對日本二戰後的舊時代和東京河畔郊區（橋下河邊取景來自於《東京物語》）有壹種懷念，反抗美式的、快節奏的現代生活，在疫情時代讓人們的交流再更慢壹些，最好能無需說話只用做眼前事、走腳下路那種。三宅唱在嘗試“反好萊塢式高潮、反表演的自然主義日常”與傳統的戲劇性之間的平衡，更喜歡前半段，後半段稍微流俗或過於動情了壹點，所以還不夠喜歡念日記閃回和最後打工人相遇等段落的設計。聊斋言谭2- 我哼 - 我也哼 我要笑瘋了