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我想 Laura Poitras 的能力並不在於「導演」或影像的想象力，而在與選題、跟題並且將講述的權力交還給拍攝對象，或者說是 activist 的工作方法大於 filmmaker 的工作方法，因此會顯著地呈現出「題好於片子」的感覺。在 Nan Goldin 這個例子中，藝術家的portraiture/私攝影實踐與呈現她的方式有了壹個很好的呼應，正如拍攝斯諾登時遇到的重重困難與他作為 whistleblower 所必須經歷的生活的對應。40幾遍了吧周星馳鼎盛時期的電影沒啥好說的！全五星好評！另外，還有彩蛋，萱萱有演秋香的侍女。編劇怎麽說服自己這條愛情線的？She says, not he says.就算現在看到放也會跟著看的經典喜劇，笑點密集不尬。真不得不服星爺。

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