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A.《孽债》by左情右爱海报

B.《《孽债》by左情右爱》国外网友的评价

Instead of following the typical biopic beats, however, O’Connor’s creative freedom manifests as something slightly more chaotic, forgoing fact in favor of an emotional honesty that feels entirely earned.《《孽债》by左情右爱》'Flashes of color, lightning cuts, and the camera spins and needle drops are at times overwhelming, but it’s an overall enjoyable experience that washes over you in waves of excitement.

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《孽债》by左情右爱3.5入；被小主角打動好多次，那個在成人眼裏充滿黑暗齷蹉的“房間”，卻是他童年夢幻的樂園，可以和光影追逐，可以和家具嬉戲，孩子無窮的想象讓密閉空間變得無窮大，前半部拍得既美麗又殘酷；融入外界後線索較蕪雜，沒有處理好，“妳又救了我壹次”和告別儀式真催淚。世界的正常運作內在地需要邪惡，對善與惡關系的探討令人憶及沙馬蘭的反超級英雄電影[不死劫]。影片整體立意甚高，但節奏控制有待加強。結尾的自白過於直白了壹點。PS：凱奇演技沒話說，可惜沈淪於爛片的泥沼無法自拔。傑瑞德·萊托真可謂癮君子專業戶。伊桑·霍克在片中倒是顛覆了文藝形象。（8.0/10）

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