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让我遇见你by叶芫第壹部故事講得太優秀太完整了，而且暗地裏留了那麽多可以延伸的線頭，劇組選擇了兩個：從時間上延伸——救世主不是唯壹的，尼奧經歷的已是第六次人類補完計劃；從空間上延伸——引入錫安和機械城這兩個大終端。前者很成功，後者挺失敗。全片主旨總結下來，其實只要三段對話就夠了：在錫安深夜和議長聊；在院子裏和先知聊；最後和建築師聊。中間打了壹個漫長的法國佬副本，匆促、媚俗、無聊。建築師那段我隔了十幾年才看明白：尼奧做出的選擇不是「救妹子」，而是通過拒絕背人類補完計劃的鍋，選擇了代表著自由意誌的「選擇」本身。臥槽 這特麽是我看過最牛逼的春節檔電影，真的，emo，妳值得

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家人們，別看！ 沒看過這麽無聊的電影。死壹個，癱壹個，離壹個，，。It’s just a game/that’s why we watch sports【上海電影節展映】膠片版。資料館王家衛展的缺憾終於在上海補完。風格很張國榮，很杜可風，也很王家衛。把壹個渣男的故事拍得如此動人好看，也是厲害。幾個斯坦尼康長鏡頭以及梁朝偉鏡頭非常出色，大銀幕看簡直暈眩迷人。臺詞金句頻出，流傳於世，至今聽來都動人心弦柏林電影節。這是另壹種型態下的東京，沒了燈紅酒綠，沒了繁華喧囂，甚至拍到遠景時，整個畫面都是灰藍色的。但就是這樣不溫不火的東京，才會讓我甚是想念。比去年情人節三部好（但有限）電視上常常重播這部，真奇怪。

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让我遇见你by叶芫：沒想到是這樣壹個故事，小男孩扮演者雅各布·特倫布萊的表演實在太讓人驚訝了！以小男孩的童趣視角來推進壹個悲慘的故事，屋裏屋外，成年與童真，既對立，又統壹，“我本該高興的啊”。最後小男孩跟那些物件告別的時候，太揪心了。但有壹點不太通吧，施虐者為什麽拋下了小男孩兒？让我遇见你by叶芫推荐臺灣跟大陸假結婚，其實在跟美國搞同性戀