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If you are going to see one post-apocalyptic, low-tech French-Lithuanian-Belgian film in English this year with Eddie Marsan as the heavy, make sure it’s this one.《《法外之地》by花卷》'What sets "Bokeh" apart among the "low-key apocalypse" cinematic subgenre is not what happens, but what doesnt happen. Its the unknowing that is their undoing. The result is a subtle but ultimately profound humanist message.

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