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公平正義，爽片而已，看完後想想這就是電影罷了，現實是，總有人要背鍋的。對保羅·麥斯卡的印象還停留在《正常人》，結果這就喜當爹了。像兄妹般的奇妙父女關系，女兒就像在追趕著父親的腳步走進成人世界。看似無憂無慮的假期，只有在多年後從DV和回憶中才驚覺日光下的影。很難相信這是新人導演的處女作，去戲劇化的敘事和時空交匯的手法不明覺厲。電影打滿了私人印記，可惜我無從求證...不拍梟雄拍時代，不是類型是造夢，格局打開，詩意澎湃。在史實的基礎上，發揮浪漫主義想象，試圖洞悉歷史的幽微。有意淡化呂、藍的梟雄色彩，集中於他們的發跡與羅曼史。避免了與九〇年代港產梟雄片的雷同，卻有王家衛式風格的影調。篇幅雖有143分鐘，還是顯短，只能是浮光掠影，尤其年代的跳躍是要追劇情的，敘事有斷裂感，羅曼史倒可以慢下來稍作停留。鏡頭很貼演員，表演得到最大檢視。有些回憶、幻覺和睹物思人的戲，像各式各樣的夢，總會忘記，但那個瞬間會記得。許冠文的英文總結性陳詞很精彩，和《搶錢夫妻》那段壹氣呵成的Last Tango異曲同工。“去熱血化”在現有的體育題材影片中也早已不新鮮了，何況這樣的本子放眼全球也有過太多了吧，只是人物的職業背景不同，但同義替換總是奏效的，主題是共有的。我是真心不懂為什麽國內在吹這位導演…“感情不分草食肉食” 豆瓣評分加分法則：小清新加分，成長加分，治愈加分，賣萌加分，賣腐加分，又是日本的，加分，還是動畫，再加分，這麽七加八加就加成了壹部豆瓣8.9分電影。★★★☆我看電影的時候，好萊塢早已橫行於天下，意大利、日本、香港、乃至於波蘭，這些地方的電影已經衰敗。唯有法國，電影雖然式微，但依舊有新的具有生命力的東西在產生，藝術不死。

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