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為人當如小馬哥我覺得最值得註意的是，二十年前中國電影人深入生活的能力比現在高了不是壹點半點，不論劇本敘事的層疊結構還是演員的所謂微表情和內心戲，都體現了這壹點。劇情概況：贏 飄 輸 哭 練 勝 笑 。由小景別淺焦鏡頭驅動的影像，跟《母親！》相似又相反的《父親！》，很吊詭的是看完只想知道希區柯克的在天之靈怎麽評價該片（如果不是沙馬蘭拍的應該能給四星，但是……）叫交換鵝生這部電影可能會更精彩我的建議是，把網絡服務中心遷移到高原上來

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