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我想 Laura Poitras 的能力並不在於「導演」或影像的想象力，而在與選題、跟題並且將講述的權力交還給拍攝對象，或者說是 activist 的工作方法大於 filmmaker 的工作方法，因此會顯著地呈現出「題好於片子」的感覺。在 Nan Goldin 這個例子中，藝術家的portraiture/私攝影實踐與呈現她的方式有了壹個很好的呼應，正如拍攝斯諾登時遇到的重重困難與他作為 whistleblower 所必須經歷的生活的對應。非線性敘事讓人忙於拼湊信息，弄清楚人物身份和目標。缺少諜戰劇的邏輯縝密，不必要的片段化，最後只留下個因果關系，誰是誰因為什麽幹了什麽。故事淺薄，也體現不出什麽表演層次。唯壹值得肯定的是，光影確實很講究。It's not funny.//Be brave and love.//原來去大使館看julian assange的是她。“白眼狼都會向我翻白眼”！賈冰壹如既往地逗樂！克拉拉真是性感又可愛！很難用電影性去評價的作品。體制選對的國家，民主可以靠法律實現；體制選偏的國家，民主就只能求dang垂憐了。韓影果然還是大叔們的天下，大臉宋康昊又在怒刷存在感...亂世只是背景，更多是跌宕起伏的女性畫卷。費雯麗塑造了大銀幕上絕無僅有的佳人形象：斯嘉麗任性而深情、虛榮而善良、軟弱而堅強，愛得情天恨海而又愚蠢天真......在電影院如癡如醉的坐了4個小時~~~

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