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趙文瑄處女作這個程度，讓人驚嘆香港缺心眼兒喜劇之最，看100次笑100次～marvel用了5部電影，向我證明了尚氣有多相對性的好看可以看成20到30年代的好萊塢浮世繪，也可以看成導演對壹個震蕩電影時代的旁觀。白、黑、亞和南美，四個族裔在那個荒誕、縱欲、瘋狂又無法形容的時代，跟隨電影工業從無聲到有聲的變遷，各自走向不同的結局，令人無盡唏噓。電影最後看似混亂的蒙太奇，恰巧貼合著那個時代好萊塢的混亂，但這也正是電影借助光影，穿梭時代，表達著對電影這項藝術、或是工業的壹種期待。看著男主角面對時代變遷後的影院淚流滿面時，真心希望電影不死，我們可以永遠面對大銀幕，永遠可以熱淚盈眶。年老的阿爾·帕西諾，並沒有失去力量，而是更魅惑動人。上壹部砍樹，這壹部炸魚。

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