《孽债》by左情右爱_孽债by左情右爱笔趣阁

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For my money it’s the best since the original.《《孽债》by左情右爱》'Campion’s work is so well-calibrated to the point where the sickening end of one character’s arc feels inevitable, while the hopeful conclusion for others feels tainted with an acidic air despite the promise of a better future.

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《孽债》by左情右爱補標 為什麽總有這種不知看過多少遍的片子沒有標 總感覺是被刪評了回檔了王家衛確立風格之作，或者說他拍的始終是同壹部電影。難以長久的愛情、對自我身份的求索及都市人的困惑疏離。部分鏡頭極易聯想起[重慶森林][花樣年華]。大量運用鏡像的修辭策略和開放式構圖，氤氳於光影中的迷離氣格，文藝臺詞。| 無腳鳥致敬戈達爾[法外之徒] | 1960.4.16.15:00前的1分鐘。（8.0/10）

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