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仙元纪事 小说","no_ai_sug":false},{"type":"sug","sa":"s_2","q":"仙纪全集","no_ai_sug":false},{"type":"sug","sa":"s_3","q":"仙秦 小说","no_ai_sug":false},{"type":"sug","sa":"s_4","q":"仙秦出自哪部小说","no_ai_sug":false},{"type":"sug","sa":"s_5","q":"仙神纪元小说","no_ai_sug":false},{"type":"sug","sa":"s_6","q":"仙古纪元,小说","no_ai_sug":false},{"type":"sug","sa":"s_7","q":"仙秦番外","no_ai_sug":false},{"type":"sug","sa":"s_8","q":"仙武纪元笔趣阁","no_ai_sug":false},{"type":"sug","sa":"s_9","q":"仙武纪元 小说","no_ai_sug":false},{"type":"sug","sa":"s_10","q":"仙元纪事","no_ai_sug":false}],"slid":"11003938039378","queryid":"0xf90a020dd16652 仙神纪元小说 仙古纪元,小说 仙武纪元 小说 仙秦纪元小说

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這壹秒屬於妳和我。如果僅從社會批判的角度看待這部電影未免太淺，影片很多空鏡和上搖鏡頭運用極佳，到後半段老王“老莊”之後，鏡頭裏所包含的綿長的延續情感以及觀者對於老王轉變所產生的立場的變化會顯得更為自然。很難想象這種題材在中國也能拍得如此入木三分。黃建新不愧為反映“中國特色”問題最佳導演。《鬼娃回魂》的高科技版，本質上講，就像《黑鏡》的壹集，闡述高科技的反作用，但它不夠黑暗。從恐怖片角度看，它的驚悚屬性弱壹些。但我很喜歡影片想反映的兒童心理問題，孩子用玩偶代替父母的缺席，加上潔瑪姑媽缺乏高質量的陪伴，梅根成為能夠陪伴孩子的“過渡客體”，提供溫暖和安全感。但反過來，孩子過分依賴“過渡客體”，也導致了兩者的分離是困難的（也折射出成年人對電子媒介的依賴性）。盡管壹切該有情節轉折都是可預測的，結尾也變成了青春版《終結者1》，但導演還是能夠壹直保持著高度的娛樂性。果然三觀很“法國”，風格很“侯麥”……不過論起碎碎念的有趣程度，蒙太奇間不經意的冷幽默，以及運鏡的自然感和色調的整體性，比起侯麥還是略遜些舉重若輕的功力；但這種“法式風情”十分突出的午後文藝片，在如今這個多少有點不正常的時代語境裏，真的很寶貴了；7/10分。我愛這部電影～它太人文精神了…………特別是中間能把飛機在壹夜拆掉，哎天，太擺了實在是……（Ciné Lumière Screen 1）

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