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看哭電影開場壹個半小時：臥槽原來這孩子是男的！！！雖然從戛納主競賽降級了，但這才是最自然狀態的米婭·漢森-洛夫，又找回了看“將來的事”的感覺。知識分子女性、侯麥式對話和“生活即走路”的創作哲學，知性又感性的蕾雅·賽杜背著雙肩包步履不停。生活從來不缺晴朗早晨，只要我們堅持往前走。（梅爾維爾帥哭我了~）官場文化的反諷，貪官奸，清官更奸，不然如何對付貪官我覺得最值得註意的是，二十年前中國電影人深入生活的能力比現在高了不是壹點半點，不論劇本敘事的層疊結構還是演員的所謂微表情和內心戲，都體現了這壹點。壹劍士，壹大錘，壹弓手，壹魔法師……妳們是在組隊玩RPG遊戲麽！？

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